Day 106 of 135

Day 106: The Booktuber Versus the Novelist

In the makeup room of a TV studio in Mexico City, before a debate on whether schools should still assign the classics, Erasmo (A), a novelist fond of old-fashioned turns of phrase, meets Irene (B), the booktuber (a YouTuber who reviews books) he is about to debate.

How to study this lesson 3 steps
  1. Read the situation under the title. It says who is talking and how they know each other, which decides how politely they speak.
  2. Read the dialogue line by line with its translation, until every line makes sense. Point at (or tap) a Spanish word to see what it means.
  3. Spend at least 30 minutes listening to native Spanish, for example from the Resources page. It doesn't matter if you don't understand it yet.

Dialogue

Audio recordings are on the way. For now, each lesson is the dialogue with its English translation.

Keys: E hide English · ← → previous / next day · point at a word to see its meaning

  1. A

    Díjome la productora que mi contrincante tenía trescientos mil suscriptores, y hete aquí una sola señorita con tubos en el pelo.

    The producer told me my opponent had three hundred thousand subscribers, and lo and behold, a lone young lady in hair rollers.

  2. B

    Los demás nos verán en el celular. A usted lo reconocí por su foto de solapa, que ya es mayor de edad.

    The rest will be watching us on their phones. I recognized you from your book-jacket photo, which must be all grown up by now.

  3. A

    Otrora las solapas mentían por cortesía; hoy la juventud dice la verdad sin ella. ¿Viene a pedir que ya no se lean los clásicos?

    Book jackets once lied out of courtesy; nowadays the young tell the truth without it. Have you come to ask that the classics no longer be read?

  4. B

    Que no los receten a los catorce, como jarabe. Le propongo un trato: no le digo “boomer” al aire, siempre y cuando no me diga “jovencita”.

    That they stop prescribing them at fourteen, like cough syrup. I propose a deal: I won't call you a boomer on air, as long as you don't call me “young lady.”

  5. A

    Acepto, a condición de que no me interrumpa: un Quevedo trunco es un soneto de trece versos. Y conste: pertenezco a la generación X.

    Agreed, on condition that you don't interrupt me: a truncated Quevedo is a sonnet with thirteen lines. And for the record, I belong to Generation X.

  6. B

    Peor tantito: su generación hizo los temarios que padecí. Y nada de latín, a menos que lo traduzca.

    Even worse: your generation drew up the curriculum I suffered through. And no Latin, unless you translate it.

  7. A

    ¿Padeció, dice? Mas dígame, por curiosidad de oficio: ¿qué lectura obligatoria se le indigestó tanto que acabó fundando un canal?

    Suffered through, you say? But tell me, out of professional curiosity: which assigned book disagreed with you so badly that you ended up starting a channel?

  8. B

    La suya: “La casona de los Urquiza”, en tercero de secundaria. Mi primer video viral fue una reseña donde la hice pedazos.

    Yours: The House of the Urquizas, in ninth grade. My first viral video was a review in which I tore it to pieces.

  9. A

    ¡Conque usted era mi verdugo! Empero, aquel video me valió una reimpresión: jamás me habían odiado tantos adolescentes con tanto provecho.

    So you were my executioner! Nevertheless, that video earned me a reprint: never had so many teenagers hated me so profitably.

  10. B

    A los veintitrés la releí por gusto y me encantó. Ese es mi argumento: impuesta a los catorce, se odia; elegida, se ama.

    At twenty-three I reread it for pleasure, and I loved it. That's my argument: imposed at fourteen, it's hated; chosen, it's loved.

  11. A

    Curioso: ese es justo el mío. Sin aquella lectura obligatoria, jamás la habría releído usted, porque nadie relee lo que nunca leyó.

    How curious: that's exactly mine. Without that compulsory reading, you'd never have reread it, because nobody rereads what they never read.

  12. B

    Entonces así le hacemos: usted cuenta la primera mitad de la historia y yo la segunda, siempre que nadie haga spoiler. Quítese el babero, maestro: nos llaman al foro.

    Then here's how we'll do it: you tell the first half of the story and I'll tell the second, provided nobody spoils the ending. Take your bib off, maestro: they're calling us onto the set.

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